Mi Casa Es Su Benincasa with Sara Benincasa (Episode 90)

Sara Benincasa is an author, comedian, writer, and outspoken advocate of LGBTQ youth, among many other hats she's worn. She is an expert impressionist and parodist of Sarah Palin and Michele Bachmann. Sara is the author of the novel Great and the memoir/confessional, Agorafabulous!: Dispatches From My Bedroom, and her third book, the novel Believers, is due out in early 2016, while a fourth book is already underway. She's interviewed Reggie Watts and Amanda Palmer in her bathtub, and posed as a nun with adult performer Stoya. We spoke in person in Seattle when she was visiting during This Tour Is So Gay, recently funded on Kickstarter.

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Show notes

This interview was conducted at The Office, a co-working space above Ada's Technical Books and Café; the owner, Danielle Hulton, was a previous guest of the show.

99% Indivisible with Roman Mars (Episode 46)

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Roman Mars is a public-radio producer. But the definition of what public radio is has become malleable, especially with his show, 99% Invisible, which has enormously more listeners for its podcast version than the broadcast flavor. The show is about design and architecture, and more particularly about the inner workings of things we take for granted. Roman raised a significant sum on Kickstarter in July 2012 — $170,000 for season 3 of his show. He launched a second Kickstarter for season 4 today (October 22) to expand to weekly episodes and add staff.

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Show notes

Planet Money wanted to sell a T-shirt and use the proceeds to tell the story of how the T-shirt got made from cotton to sewing to printing to delivery; they used crowdfunding. Andrea Seabrook left NPR after years as a correspondent, the last part in the nation's capitol, to start DecodeDC, which she funded via Kickstarter, and in which she cuts to the chase about how politics really works. Around the same time Lea Thau funded season 2 of Strangers, which tells stories about "the people we meet, the people we become, and the places we go." In late 2010, Hillary Frank started "the longest shortest time" podcast; she recently raised funds for the next season. KALW fostered 99% Invisible in its early days.

The 99% Invisible episode about Maurice Nobel, the background artist in Looney Tunes, Maurice Nobel, blew my head off because I had wondered for years why the details in a Yosemite Sam cartoon were so perfectly representative of Taos, New Mexico. (By the way, New Mexico's "pueblo-style" houses are a modern pastiche that incorporate native peoples and local styles into something that became a fixed idiom.) ISDN lines used to be a mainstay of remote radio recording, because they allowed for studio-quality connections.

"There are very few men today who are disciplined to comprehend the totally integrating significance of the 99 percent invisible activity which is coalescing to reshape our future," said Buckminster Fuller. We mention the podcast episode about concrete-bubble houses.

Roman hung out recently with Atlantic writer Alexis Madrigal, whose house is full of projectors and flexi discs. In a co-produced episode with Planet Money, the two shows explain the technically accurate ending to the movie Trading Places.

Roman works for PRX producing PRX Mix. The book Moneyball explained how the Oakland A's used statistical analysis to become a team that won far beyond what its salary budget would have predicted. The book and the strategy changed baseball, but as Philip Michaels wrote in The Magazine, not everyone wants to accept that.

In the 99% Invisible episode "Modern Moloch", Jesse Dukes explains how automobile interests shifted public opinion about pedestrians hit by cars from being the drivers' fault to that of the people on foot.

Episode 6: What's the Frequency, Andrea? with Andrea Seabrook

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Andrea Seabrook spent more than a decade at National Public Radio, and covered Congress for a good part of that time. She left NPR to start something of her own: DecodeDC, a podcast and syndicated radio program (on this very network) that cuts through the blandification of politics, and speaks the unvarnished truth that gets lost in the interest of presenting supposedly balanced viewpoints. Andrea is fair, but she doesn’t shrink from cutting through layer after layer of spin, something that’s typically not possible in conventional broadcast media. We talk about the future of public radio and the joy of making your own decisions about what your audience wants to hear.


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